Tag Archive for 'Movie Theater'

Trailer for Wim Wenders’ 3D film “Pina”

After Werner Herzog’s 3D documentary another legendary German filmmaker brings you a highly artistic 3D film for art house cinemas: Wim Wenders’ PINA.

This is going to be unlike anything 3D that came out of Hollywood so far. It’s dance film and documentary and all in all a beautiful homage to the late Pina Bausch, the famous choreographer of the Tanztheater Wuppertal. Check out the trailer below! Unfortunately in 2D only, so you have to imagine what it looks like in the depth of a 3D screen… I’ve been lucky enough to see bits of it in 3D already and I can assure you, this promises to be an amazing piece of film art that beautifully and expertly explores the pairing of stereoscopic filmmaking with movement in space as created by the dancers through Bausch’s extraordinary choreography. And with another art house 3D film coming to theaters it’s also paving the way for more highly artistic 3D content including our 3D doc “American Backroom”. So tell your friends and be in line when the film hits 3D screens in early 2011.


(SternTrailerPremiere)


Writing for 3-D

The L.A. Times’ Steve Zeitchik asks the question, if the current 3-D hype is affecting the way screenplays are written. The future of filmmaking that he is describing seems a bit overstated, though. For instance, he’s writing:

While [many directors and writers] express a general enthusiasm for the form, they say executives don’t always grasp all the complexities of adding that extra dimension. As the 3-D storm continues to gather, they point out that 3-D will affect much more than whether a filmgoer picks up a pair of glasses: It will change what films get made, and even the very nature of cinematic storytelling.

While it is true that the big studios are greenlighting more and more films that are a safe bet in 3-D, I don’t think, that the very nature of cinematic storytelling is at stake. It’s more a question of movie genres, and as long as Hollywood’s idea of 3-D filmmaking is limited to 3-D spectacle like action or horror, than yes, writers are forced to write mainly for the spectacle. But sooner or later the time will come, when 3-D is no longer a matter of poking things out of the screen. Even for smaller and more intimate films 3-D can be a stylistic device utilized by the director, cinematographer and editor. Thus, 3-D does not necessarily have any impact on the written word. After all, characters and plot won’t get any better, simply because they are written for 3-D.

I just like to emphasize screenwriter John August’s comment on that:

I’m currently writing a film which is designed to be black-and-white and 3-D. Reading the script, you’d never know it.

For me, I’m very excited about the first 3-D films that are not for the sake of mere spectacle. AMERICAN BACKROOM is one of those alternative 3-D projects, and I am sure, until it gets released, there will be many other films utilizing 3-D in an unexpected way. Just be open-minded, when they come along. You can read about our thoughts on the possibilities of 3-D and documentary filmmaking right here. Steve Zeitchik’s L.A. Times article still seems to be taking sides with 3-D sceptics, and – not surprisingly – is closing with the following quote:

I don’t want to watch “Precious” in 3-D.

I don’t know if that was his intention or not, but it’s funny how it stands in perfect contrast to what Martin Scorsese had to say about 3-D: “Why couldn’t a film like “Precious” be in 3-D? It should be.”

What do you think?


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