On August 28 franco-german TV network ARTE will be broadcasting two classic films shot in 3D: Alfred Hitchock’s “Dial ‘M’ For Murder” and Jack Arnold’s “The Creature From The Black Lagoon”. In order for you to watch it you only need anaglyph 3D glasses. The American Backroom and MovieBrats are giving away 10 sets of the official ARTE 3D glasses – for FREE! All you need to do is write an email to 3D@moviebrats.com, as subject line use “3D glasses” and don’t forget to insert your mail adress into the email. PLEASE NOTE: This sweepstake is only available for participants located in Germany, since we can send glasses only to mail adresses in Germany.
Crazy! There’s this guy who does a Forrest Gump and crosses the USA by foot! Well, not really. But it’s still a nicely done stop-motion shortfilm from… ehrm, it seems like it comes from a major jeans brand. Never mind. It makes us get itchy feet, and that’s still a true feeling. So, in case you wanna follow in the guy’s footsteps, wearing jeans or not, click here for a Goole Map of his journey.
Wow! The Denver Post put together an amazing set of color photographs taken between 1939 and 1943 in post-depression era America. Some of the only color pictures that take a close look at the effect of the Great Depression on rural America. Color photos from times long ago are a treat anyway, but these ones are even more special. They’ve been taken from the archives of the Library of Congress, in particular from the color set of the 1930s to 1940s. Head on over to flickr to browse through them for yourself, but be warned, it’s a whopping 1,615 photos in this set alone.
Photographer Nadav Neuhaus went to the New Mexican desert to document a community of several hundred people that – in a way – revive the old times of the wild wild west. “Life off the Grid” is the title of his short video about self-supporters without water, without electricty. And without law. Unfortunately it’s only 3 minutes long. But if you wanna know more about life on the Mesa you can still check out the award-winning documentary “Off the Grid” by Jeremy and Randy Stulberg.
The Scout Magazine produced three short, but beautiful documentaries on distinct small businesses that combine art and craftsmanship to create something special: It’s the Mast Brothers’ Brooklyn Chocolate Factory; Roman & Williams, architects and interior designers; and Billykirk, leathermakers. Definitely worth a look.
Nice series of pictures by photographer Seth Butler, in which he documents the use (or misuse) of “the ubiquitous, evocative and complex symbol of America’s self-image”, the Stars & Stripes, in everyday America: Tattered: Investigation of an American icon
It’s here! The tilt shift miniature test footage we shot during our 3 month research road trip across and back the United States in the fall of 2009. Watch it now in glorious HD and full screen! This was our first try at it and it was shot mainly to explore on settings, locations and motion. Of course some shots are working great, others less great We’ve learned a lot and it helps tremendously in developing the storyboard for the actual stereoscopic 3D tilt-shift shoot of THE AMERICAN BACKROOM in 2011. BTW, We are currently in talks with tilt shift miniature-artists (some of them you might know) to get them and their talent aboard for the production.
Here’s a list of locations seen in the clip (in order of appearance):
San Francisco, CA | Louisana State Route 14S | Grand Chenier, LA | Calexico, CA | New Orleans, LA | San Francisco | Grand Canyon, AZ | Los Angeles, CA | Palm Springs, CA | Hollywood, CA | Santa Monica, CA | outside Slab City, CA | Coleman, OK | San Francisco | Camp Verde, AZ | Monterey, CA | Lavina, MT | Santa Monica again | Melrose, NM | Santa Monica | Austin, TX | outside Bakersfield, CA | Page, AZ | Austin | Santa Cruz, CA | Austin again | Hollywood | Austin again and agian | New Orleans | Austin | Page | Austin | Santa Cruz
What if tomorrow everyone’s car just disappeard? That was the question that Ross Ching asked himself. As an answer he came up with the following video in which he got rid of all the cars in L.A.. It’s the city of 12-lane-superhighways without the cars. Without the trucks. Without any motorized vehicle… Take a look.
We’ve learned a lot and it helps tremendously in developing the storyboard for the actual stereoscopic 3D tilt-shift shoot of THE AMERICAN BACKROOM in 2011. BTW, We are currently in talks with tilt shift miniature-artists (some of them you might know) to get them and their talent aboard for the production.
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